‘Sambhu Da’ Returns as Madan with a Powerful Appeal for Flood Victims, written by Shanku Sharma

//Shanku Sharma//

Veteran theatre artiste and actor Subrata Roy, fondly known as Sambhu Da, has once again stepped into the shoes of his much-loved character Madan in a moving video drama titled “ব্রহ্মপুত্রের বন্যা” (Brahmaputrer Bonna). Written and performed by Roy himself, the short production is an emotional appeal to stand with the thousands of people affected by the devastating floods in Upper Assam.

The video opens with Madan reflecting on the pain and suffering caused by the floods. As the story unfolds, his emotions become increasingly intense. He breaks down, sheds tears and speaks from the heart, reminding viewers that while many people are busy with their own lives, countless families continue to struggle for survival in flood-hit areas.

The performance carries a simple but powerful message. While many individuals and organisations have already extended a helping hand, there are still many more who can do something meaningful. Every contribution, no matter how small, can bring relief to families who have lost their homes, belongings and livelihoods.

Through the video, Roy urges people to contribute to the Assam Chief Minister’s Relief Fund or make donations through the Cachar Deputy Commissioner’s Office, encouraging everyone to support relief efforts in whatever way they can.

One of the most touching moments comes at the end. As the drama reaches its conclusion, Madan does not end with a speech. Instead, he sings the timeless humanitarian song “Manush Manusher Jonyo”, adding an emotional layer that leaves viewers with a message of compassion, unity and hope.

The video also reminds audiences that while a performance may end in a few minutes, the suffering caused by the Brahmaputra floods will continue long after the screen goes dark. Relief and rehabilitation will take time, and the need for public support remains urgent.

With “ব্রহ্মপুত্রের বন্যা”, Subrata Roy once again uses art as a medium for social awareness. His heartfelt portrayal of Madan is not merely a performance. It is a call to conscience, urging people to look beyond their daily routines, feel the pain of those in distress and come forward with whatever help they can.

His final appeal is simple yet deeply moving: “Come forward, let your heart feel their pain, and donate whatever you can. Every act of kindness matters.”